Est-Nord-Est

Est-Nord-Est Residencies for Artists & Authors 2027-2028 This residency program is open to professional visual artists, whether established or emerging, from Québec, Canada, and other countries. The eight-week residencies host four artists per season. They include an honorarium, lodging, work spaces, logistical support, and access to the centre’s technical and documentary resources. Est-Nord-Est (ENE) is an artist-run centre whose mission is to provide an international community of artists and authors in contemporary art with… read more Est-Nord-Est Residencies for Artists & Authors 2027-2028 This residency program is open to professional visual artists, whether established or emerging, from Québec, Canada, and other countries. The eight-week residencies host four artists per season. They include an honorarium, lodging, work spaces, logistical support, and access to the centre’s technical and documentary resources. Est-Nord-Est (ENE) is an artist-run centre whose mission is to provide an international community of artists and authors in contemporary art with support by offering space and time for research and experimentation, as well as privileged access to local resources and knowhow. The centre is situated in Saint-Jean-Port-Joli, a village on the south shore of the St. Lawrence River, in a unique geographic and historical locale. The predominant aspects of the landscapes are farms, forests, and the river. Originally based on the idea of encounters between sculptors with contemporary practices and those using regional traditional skills, ENE now welcomes contemporary visual-art artists from all disciplines. The residencies at ENE are intended for professional artists, both established and emerging, from all over the world. They offer artists and authors an opportunity to explore their research more deeply, to experiment, and to create in a cultural space that is unique, lively, and stimulating. The eight-week residency periods, which bring together four artists and one author in the field of contemporary art, are offered in spring, summer, fall and winter. ENE occupies a building designed and built for the residencies of artists and authors. The architectural concept places exchanges, friendly relations, and technical and logistical assistance at the heart of the experience offered to residents. Residency periods: - Spring: April 19 to June 11, 2027 - Summer*: July 5 to August 27, 2027 - Fall: September 27 to November 19, 2027 - Winter: January 24 to March 18, 2028 *The summer 2026 residency is curated by Cécilia Bracmort, titled Corps céleste, corps terrestre (Celestial Body, Terrestrial Body) centered on the concept of osmosis, viewed as a process of gradual transformation through which beings, materials, and environments mutually influence one another. Eligibility: Priority is given to artists of African descent, while welcoming anyone whose practice resonates with the themes explored. The eight-week residency includes: - Residency honorarium of CAD $2080 - Access to an individual studio workshop to be used for work and lodging - Access to specialized equipment (wood, metal, ceramics) - Access to a documentation centre (books, magazines) - Access to local resources - Technical, artistic and logistical support - Access to a bicycle in season/occasional local transportation in winter - Materials, travel fees and other living charges are at the residents’ expense. ENE offers artists and authors: - Time and a place to devote themselves to research and experimentation - Privileged access to local resources and diverse areas of knowhow - An international art community Expectations towards the artists/authors: - To make full use of the residency period offered for his/her research - To be present during the entire residency period - To present his/her approach and research interests at the beginning of the residency at a public event organized by ENE - To present his/her research and experiments carried out during the residency at a public event organized by ENE at the end of the residency period - OPTIONAL: To propose a workshop for a community organization in the region (an additional $300 is offered to artists whose workshop proposal is selected) The application is online, with a deadline for applying is 8th November 2026.

Blue Door Art Center

Woven Together Entry Deadline: Nov 8, 2026, 11:59:00 PM Eligibility: Local Entry Fee: 10.00 - 35.00 New York Woven Together Curated by Luis Perelman, Co-Executive Director and Michele Amaro, Gallery Director. Blue Door Art Center invites artists to explore weaving literally or metaphorically — through fiber, paper, metal, wire, rope, photography, painting, sculpture, mixed media, and more. Woven Together celebrates connection, layering, community, memory, and the transformation of individual strands into something larger. Nothing larger than 24" x 36" or over 100 lbs. please. Submitted work must be the artis Curated by Luis Perelman, Co-Executive Director and Michele Amaro, Gallery Director. Blue Door Art Center invites artists to explore weaving literally or metaphorically — through fiber, paper, metal, wire, rope, photography, painting, sculpture, mixed media, and more. Woven Together celebrates connection, layering, community, memory, and the transformation of individual strands into something larger. Nothing larger than 24" x 36" or over 100 lbs. please. Submitted work must be the artist’s original work. Blue Door Art Center may request additional information about materials or creative process when needed during jurying. Deadline: Sunday, November 8, 2026 11:59 PM Exhibition Dates: Saturday, November 21 - Saturday, December 19, 2026 Opening Reception: Saturday, November 21, 2026, 1-6 PM There is no cost to submit your entry. If your artwork is chosen, we will let you know by email. Installation Fees are as follows: In-Gallery Exhibition Installation Fee $25 per piece for members, and $35 per piece for non-members.  Online Exhibition Participation Fee $10 per piece for members, and $15 per piece for non-members. The gallery takes 25% commission on member sales and 35% commission on non-member sales. Misc. if you don't see it here and are not sure, ask Michele, [email protected] Blue Door Art Center is a proud grantee of ArtsWestchester, with funding made possible by Westchester County Government with the support of County Executive Ken Jenkins.

Open Call Dancers for 12.ance Intensive 2026 Oct 15, 2026 | Intensives Explore, create and perform alongside Anna Borràs and Daniel Navarro Lorenzo in an expanded version of their critically acclaimed work, Exhale, making its Singapore premiere! Where: Sigma Collective Space / Sigma Studio Theatre, Singapore When: 16 – 19 Dec 2026 Deadline for applications: 8 Nov 2026 OPEN CALL FOR DANCERS | 12.ance Intensive 2026 We’re looking for dancers to join 12.ance Intensive 2026, led by Anna Borràs and Daniel Navarro Lorenzo, co-founders of Indra Dance Company. Drawing from their internationally toured work, Exhale, Anna and Daniel will share their creative practice and collaborate with dancers to explore and expand this critically acclaimed production. Having toured across Europe, Exhale is now set to make its Singapore premiere. Through 4 days of guided improvisation, partnering explorations and creative tasks, participants will engage with movement material and ideas from Exhale, discovering how individual movement choices, shared curiosity and physical research can develop into choreographic material. WHO ARE WE LOOKING FOR? – We’re looking for experienced dancers aged 17 years and above, who are curious, open to exploration and ready to create! Whether you’re confident in your practice or looking to challenge yourself in new ways, let’s grow together. – This open call is audition-based. PARTICIPANTS WILL: – Explore dynamic movement, from explosive physicality to fluidity and release. – Develop awareness of weight, gravity, momentum and floorwork. – Challenge movement habits through improvisation, risk-taking and exploration. – Discover partnering through shared weight, support, touch and communication. – Gain insight into Anna and Daniel’s creative process while collaboratively creating a performance. FROM STUDIO TO STAGE: – The intensive culminates in a performance: an extension of Exhale created with the participants and developed together with Anna and Daniel. – The new work will be presented in the same programme as Anna and Daniel’s performance of Exhale — bringing the research of the intensive into direct conversation with the work from which it began. Note: – NO flight or accommodation will be provided. Scholarship(s): – Scholarship(s) may be awarded to outstanding applicants. How to apply: 1. Prepare a 2- to 5-minute continuous improvisation video (unedited, with full body in view), improvising to below task: Transforming through the following progression: Small → Bigger → Stronger → Excessive → Extreme As an additional layer on top of this, think about: Being alone. Allow the body to collapse towards the floor through an exhalation. Search for this exhalation. (Selection will be based on each dancer’s physicality, presence, character and expressive qualities.) 2. Prepare a dance CV detailing your dance experiences. 3. Apply here: forms.gle/RP5U8Q1QjvWtKb4C7 Costs for participants: SGD 480 Contact details: [email protected] For further information, please visit https://www.sigmadance.co/12ance2026/intensive For more dance INTENSIVES, visit https://dancingopportunities.com/category/dance-intensives/

Riyadh Art

Tuwaiq Sculpture 2027 | Open Call for Artists Exhibition Opportunity | Promoted just added Updated: 22 October 2026 Exhibition Opportunity | Promoted just added Tuwaiq Sculpture 2027 | Open Call for Artists Updated: 22 October 2026 Riyadh Art invites artists from Saudi Arabia and around the world to apply for Tuwaiq Sculpture 2027, taking place in Riyadh in January 2027 under the curatorial theme Where Roots Run Deep. The eighth edition will bring together 20 artists to create large-scale sculptures during a live, three-week symposium, followed by an exhibition. The completed artworks will later be permanently installed across Riyadh. Who can apply: - At least three years of professional artistic practice. - A minimum of three completed sculptural commissions. - Experience exhibiting their work publicly. What you get: Selected artists will receive an honorarium, in addition to full travel and accommodation support. Deadline 08 November 2026

FotoCreativaBA

FotoComBA | Programa Internacional de Fotografía Expandida (only in spanish) Exposición en galería Deadline: 09 Nov 2026 Country: Global FotoComBA Programa Internacional de Fotografía Expandida es un programa de acompañamiento virtual a artistas, especializado en Fotografía Expandida, bajo un lineamiento estético contemporáneo. La propuesta tiene una duración de cinco meses; en ese tiempo, el grupo transitará por la instancia de investigación, exploración, experimentación y producción artística, el cual incluye formación sobre escritura enfocada a la práctica artística, con dos seminarios para complementar la formación adecuada al proyecto personal y cierra con una muestra colectiva presencial en la galería de FotoCreativaBA, ubicada en Galería Patio del Liceo, Buenos Aires, Argentina. En el transcurso del Programa, lxs artistas participantes contarán con la presencia de invitadxs especiales de caracter nacional e internacional, también contarán con seguimiento personalizado y beneficios especiales. FotoComBA es un espacio de procesos conjuntos y formación continua, para artistas visuales y fotógrafxs de diversas partes del mundo, de habla hispana, que tiene por objetivo: Potenciar la relación entre la Fotografía y Artes Combinadas. Acompañar a lxs artistas en el proceso creador, respetando su impronta y su búsqueda. Generar un espacio de intercambio amplio, que vehiculice ideas, opiniones e información que enriquezca la trayectoria artística de lxs integrantes. Profesionalizar la práctica artística. Facilitar la circulación y exposición de la obra de artistas, dentro de un flujo de trabajo formal y especializado. Conoce a lxs Artistas de ediciones anteriores Artistas de FotoComBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA FotoCreativaBA Acompañamiento curatorial NATHEIM Artista Visual & Curadora Natheim (1982, Bahía Blanca, Argentina). Artista visual, directora y curadora de FotoCreativaBA Galería. Licenciada en Ciencias de la Comunicación Social (UBA), Fotógrafa (Escuela Andy Goldstein) y Gestora Cultural (Intermediae – Matadero Madrid). Es curadora del Experimental Photo Festival 2025 (Barcelona), de Santa Rosa Arts & Healing (Canadá, 2024-2025) y de NY20+ (Chengdu, China, 2026). Dirige el Programa Internacional de Residencias de FotoCreativaBA, coordinando intercambios con OrganHaus (Chongqing, China) e IDEA R LAB (Kurashiki, Japón). Finalista en el Salón Nacional de Artes Visuales 2025 y FELIFA 2021, fue premiada en el IILA-Fotografía (Roma, 2013) y en la Bienal de Fotografía Documental Argentina (2018). Publicó los libros Lurraldeak [Territorios] (FIEBRE Photobook Fest) y ¿Qué seré? (Ayuntamiento de Avinyó). Cuenta con una sólida trayectoria en China, con exposiciones individuales en A4 Residencia Artística (Chengdu), Dimensions Art Center (Chongqing), Galería Mil Gotas (Beijing) y Galería Tianyi-Nongyuan (Chengdu). Su obra también se exhibió en Casa América (Madrid), CdF Montevideo, Beatriz Gil Galería (Caracas) y Promenades Photographiques (Francia). Ha realizado residencias en NY20+ (Chengdu), DAC (Chongqing), IDEA R LAB (Japón), Patrim+ (España/Francia), Proyecto ´ace, ELF (Arte x Arte), Cal Gras, R.A.R.O. e Isla Invisible. Información Fecha de inicio: Sábado 6 de febrero 2027 Fecha de fin: Sábado 15 de mayo 2027 Horario: Sábados de 10 a 13 hs Argentina / De 14 a 17 hs España Duración: 16 encuentros (15 virtuales + 1 muestra presencial) Frecuencia: Semanal, siempre el mismo día y a la misma hora. Modalidad: Virtual con docentes en vivo. Exposición presencial en galería. Programa arancelado: Pago mensual o pago único. Participantes: Podrá participar cualquier persona de cualquier nacionalidad, de habla hispana. Si hablas otro idioma, consulta por FotoComBA 2027 Asincrónico. Inscripción: Previa aplicación y aceptación de parte de FotoComBA para realizar el Programa. Exposición colectiva presencial en FotoCreativaBA en 2027. Cronograma 2027 Práctica artística: investigación, exploración y experimentación Devoluciones semanales grupales y seguimiento personalizado Taller de escritura para artistas Seminario de Instalación Artística Seminario de Diseño y Montaje de exposiciones Seminario Cómo aplicar a convocatorias Preparación integral de la exposición Lxs artistas contemporánexs y la Fotografía Expandida hoy Visitas de invitadxs nacionales / internacionales Cierre de obra a exponer en FotoCreativaBA Exposición presencial en la galería de Argentina. Incluye curaduría, diseño de montaje, hoja de sala y asistencia en montaje. (El cronograma 2027 puede modificarse y tener mejoras.) Cómo aplicar a FotoComBA Para aplicar será necesario completar el siguiente formulario: https://forms.gle/dZ7UwzfsDa4jLU4w8 Fecha límite de aplicación: 1/12/2026 Consultas: [email protected] Se confirmarán lxs artistas seleccionadxs a partir de las 72hs de recibida la aplicación y se les enviará toda la información necesaria para conectarse y realizar el Programa. La inscripción se realiza abonando la primera cuota, luego de haber sido seleccionadx. Las siguientes cuotas se abonarán la primera semana de cada mes. En caso de pagar en pesos argentinos, el valor se actualiza mensualmente según IPC. Duration of residency 16 encuentros (15 virtuales + 1 muestra presencial) Accommodation N/A Disciplines, work equipment and assistance Fotografía expandidaStudio / Workspace N/AFees and support Envíanos un email a [email protected] indicando tu país para que podamos enviarte el valor en tu moneda. Expectations towards the artist Al finalizar, haremos una exposición en FotoCreativaBA, Galería Patio del Liceo, ubicada en el corazón de Buenos Aires, Argentina. Application information Para aplicar será necesario completar el siguiente formulario: https://forms.gle/dZ7UwzfsDa4jLU4w8 Fecha límite de aplicación: 1/12/2026 Consultas: [email protected]

Strathmore

Strathmore's 35th Annual Juried Exhibition: Fusion Entry Deadline: Nov 9, 2026, 11:59:00 PM Eligibility: National Entry Fee: 36.00 Maryland "Fusion" at Strathmore: the 35th Annual Juried Exhibition Home Page Fusion welcomes growth through combination. From stars creating the elements that make up our universe to the har… Fusion welcomes growth through combination. From stars creating the elements that make up our universe to the harmonizing flavors from different cultures in a dish, fusion represents not only the new, but the accomplishment of creation. Fusion mixes materials, genres, and ideas through artistic vision to spark creativity. Strathmore invites artists to explore the idea of fusion, using their own style to create original multi-medium work for this juried show. This call welcomes any combination of multiple mediums for both abstract and representational art. This can include but is not limited to: drawing, painting, mixed media, assemblage, sculpture, and everything in between to accomplish a work. Artwork may be of any style and combination of mediums, and may invite the viewer to actually touch the artwork. Artists from within the DMV region and beyond are encouraged to apply. Submission Fee  A submission fee of $36 is required for each artist submitting up to 8 works. Submission fees are non-refundable, but they are tax-deductible. Payment will be collected by ArtCall prior to submission and can be made by credit card or debit card, or by check. Please allow time for the check to arrive, and for us to process your payment to open your submission window.    Deadlines and Important Dates    Application Deadline: November 9th, 2026 at 11:59pm*    Notification of Jury Results:  December 1st*    Drop-off of All Accepted Work:  January 11th - 13th 2027    Exhibition Opens to the Public:    January 23rd, 2027    Opening Reception:    February 4th, 2027    Exhibition Closes to the Public:   February 27th, 2027    Required Art Pickup:  March 1st, 2027 * #^    *subject to change    # The artist is responsible for all arrangements, costs, and execution of the delivery and pickup of artwork to and from Strathmore.    ^All artwork on exhibition must remain on the Strathmore site throughout the entire exhibition. Early removal of artwork is strictly prohibited.  Jurors   To be announced Submissions will be evaluated on technical mastery, connection to theme, and original & aesthetic approach. Each artwork will be considered individually. There is no limit to how many works from one artist's entry may be accepted.  All artwork must be matted, framed, or otherwise made exhibition-ready. All work must be available for sale for the duration of the exhibition. The Mansion at Strathmore uses the cable based Arakawa hanging system. All hanging artworks must be fitted with ¾” d-rings or larger, or use screw eyes with a ¼” diameter opening or larger. If using a metal frame, omni or screw hangers must be fitted to the frame. All d-rings, screw eyes, and omni or screw hangers should be installed at ¼ or less of the total height down from the top of the artwork to ensure that the artwork hangs flush to the wall. For further instructions, please see the Frequently Asked Questions tab. Cleats, sawtooth hangers, steel plates and wire, or any other hanging device requiring a nail in the wall are not acceptable hanging mechanisms.  *Any artwork previously exhibited or for sale at Strathmore is not eligible

If/Then: Chance and Creativity

If/Then: Chance and Creativity - Vol. 2: Ritual Report this? Deadline: 09/11/2026 City: Devon | Country: United Kingdom | Brandon Barnard For the second volume of If/Then: Chance and Creativity, we are looking for artists, writers and makers whose work explores ritual – repetition, routine, ceremony, habit, superstition, preparation, and the strange meanings that can emerge from doing something again and again. The publication is interested in both the rituals that shape creative practice and the moments where repetition begins to produce something unexpected. As with every issue of If/Then, chance sits somewhere in the background: interrup If/Then: Chance and Creativity - Vol. 2: Ritual Deadline: 09/11/2026City: Devon | Country: United Kingdom | Brandon Barnard For the second volume of If/Then: Chance and Creativity, we are looking for artists, writers and makers whose work explores ritual – repetition, routine, ceremony, habit, superstition, preparation, and the strange meanings that can emerge from doing something again and again. The publication is interested in both the rituals that shape creative practice and the moments where repetition begins to produce something unexpected. As with every issue of If/Then, chance sits somewhere in the background: interrupting, altering, or quietly changing what we thought we were doing. If/Then: Chance and Creativity - Vol. 2: Ritual We are inviting submissions for the second volume of If/Then: Chance and Creativity, a quarterly publication that explores how chance influences the creative process, and the lasting impact this can leave. This issue explores the idea of ‘Ritual’ – the things we repeat, return to, prepare for, or perform, and how these actions can shape the way we create, think, remember, and move through the world. Ritual can be deliberate or unconscious. It can be something shared between many people, or something that makes sense only to you. And, true to the wider theme of If/Then, we are particularly interested in what happens when repetition meets unpredictability. What changes when you perform the same action again and again? What stays the same? And where does chance begin to creep in? True to our theme, we see this publication as an experiment in chance itself! We don’t know what we’ll receive, and that unpredictability is part of the process. ‘Ritual’ is up to interpretation. It could be a repeated element of your creative practice, a daily routine, a superstition, a private ceremony, an inherited tradition, a compulsive action, or a process that has gradually taken on meaning through repetition. It might be something you do before beginning a piece of work. Something you do every day without really knowing why. Something passed between generations. Or something completely ordinary which, through repetition, has become important. We are looking for both art pieces that relate to ‘ritual’, as well as articles and texts that delve into the topic. On a more open basis, works that incorporate or explore chance can be sent in as well, however those that respond to the brief of ‘ritual’ will be prioritised. Submissions may take the form of: - Photography ‘as a medium’ (single images or series). - Images of Art (paintings, sculptures, illustrations, etc.). - Text (short prose, essays/articles, or poetry — max. 1000 words). - Film stills and a URL (single stills or curated sequences). - Collaborative works. - Process-based documentation. - Documentation of performances, routines, repeated actions or interventions. If you are unsure if your work is applicable, feel free to send it anyway. We can have a discussion to see how you can be included. Together, these works will be gathered into a collective publication. All accepted contributors will be sent a series of questions exploring the themes of ritual and chance, looking not only at the finished work, but at the processes, habits, decisions and repeated actions surrounding its creation. Submission Guidelines: - Only work from the last 3 years will be accepted – 2024, 2025, 2026. This is in order to ensure the conversation we are having is contemporaneous. - Number of works: Up to 4 pieces (images or texts) per applicant. Not all may be accepted, but submitting multiple works gives us a broader sense of your practice. - Please label the work with your name and title of the piece. Include: - Your name and contact details. - A short artist statement (max. 150 words). - Year of your piece’s completion. - Social media links if you want them included in the magazine. Publication: - Selected works will be published in If/Then: Chance and Creativity – Vol. 2 – The Ritual Issue. - There is no submission fee. This may change with future volumes. - Contributors will receive a PDF of the magazine when it is released. - If/Then: Chance and Creativity is a digital-first quarterly publication exploring creative processes through the lens of chance. Future volumes may also be released in print depending on interest. Individual artists maintain full copyright over their submitted works. By submitting, you grant If/Then: Chance and Creativity permission to reproduce your work within the magazine and related promotional materials, both digital and print, at no financial compensation. All profits from potential magazine sales will go toward supporting future issues. Information on the Editor: I’m Brandon J. Barnard, an experimental filmmaker and artist based in Plymouth, UK. I’m currently doing a PhD on ‘Chance in Filmmaking’, exploring how randomness, restrictions and unexpected events can spark creativity. In my work, I use arbitrary prompts and rules to push projects in directions I may not have chosen myself. I’m much more interested in the process of creation than the finished piece. I enjoy documenting my art journey through articles and diagrams, following how seemingly inconsequential decisions, repetitions and moments in life can gradually become important. We are interested in a broad range of approaches to the theme of Ritual, particularly work concerned with repetition, routine, ceremony, habit, superstition, preparation, process, or the relationship between ritual and chance. If you are unsure whether your work fits, you are still welcome to submit it. Please submit through CuratorSpace before the deadline. If there are any problems with your submission, feel free to get in touch. These can be individual pieces or works from a related series. Not every submitted piece will necessarily be selected, but submitting several works can help give a broader sense of your practice. If selected, you will be contacted regarding any additional files or information needed for publication. If/Then is a digital-first publication and original physical artworks are not required. Contributors retain copyright in their work and will receive a digital copy of the completed publication. If/Then is currently an independently produced publication. Any income generated through future sales will go towards supporting future issues. The completed issue will be promoted through the If/Then website and associated online channels. Where contributors provide social-media or website details, these may also be included alongside their work and used when promoting the issue. The publication is digital-first and will continue to be distributed and archived online after release. I am particularly interested in work that approaches the theme in an unexpected or personal way, explores creative processes, or creates interesting connections between ritual, repetition and chance. Selection is not simply about choosing the most polished work. Part of the purpose of If/Then is to bring different practices and ways of thinking into conversation with one another. I may ask for higher-quality files, captions or additional information where needed. Accepted contributors will also be sent a short series of editorial questions exploring their work, creative process, ritual and chance. Selected responses may be included within the finished publication. You will have an opportunity to clarify information relating to your contribution before publication. This could include daily routines, repeated creative processes, ceremony, superstition, preparation, inherited traditions, private habits, compulsive actions, performance, repetition, or ordinary actions that have gained meaning over time. We welcome: Photography. Painting, sculpture, illustration and other visual art. Film stills and moving-image work. Short prose, articles, essays and poetry. Collaborative work. Performance documentation. Process-based work and documentation. Other creative responses to ritual, repetition and chance. Work does not need to explicitly involve chance, although work exploring the relationship between chance and ritual is particularly welcome. Its relationship to the theme of Ritual. The strength or interest of the idea behind the work. How it contributes to the wider conversation of the issue. Its relationship to process, repetition, unpredictability or chance where relevant. The overall balance and variety of the final publication. There is no preferred medium, style or level of professional experience. If/Then is interested as much in how and why something was made as in the finished work itself. You must have an account to make a submission using CuratorSpace. It's free and only takes a few moments. Once registered you'll be able to keep track of all of your submissions and get updates on upcoming opportunities. Already have an account? You'll need to log in to make a submission to this opportunity. You must have an account to send a message to the curator of this opportunity. Registering only takes a few moments. Once registered you'll be able to keep track of all of your submissions and get updates on upcoming opportunities. Already have an account? You must log in to send this curator a message. Get the latest CuratorSpace news, updates about new opportunities, upcoming deadlines, and art-related promotions. Call for Artists: ‘Abstract Art' Exhibition – November/December 2026. Open Gallery is... OPEN CALL for artists and writers - Labour Repetition of the Print Process Art and written open call submissions on the theme of LABOUR REPETITION of the PRINT Process... Transcendence - 4th edition Call For Artists Will future generations grasp the depth of our love, the transformations we undergo, and the...

No. 35 Gallery

Animal Group Exhibition Report this? Deadline: 09/11/2026 City: london | Country: United Kingdom | No 35 Gallery No. 35 Gallery invites artists worldwide to submit work for Animal—International Online Group Exhibition 2026. This exhibition explores animals across contemporary artistic practices, from wildlife, domestic animals, birds, marine life, and insects to symbolic creatures, imagined species, expressive representations, abstraction, and conceptual interpretations of the animal world. More details Animal Group Exhibition Deadline: 09/11/2026City: london | Country: United Kingdom | No 35 Gallery No. 35 Gallery invites artists worldwide to submit work for Animal—International Online Group Exhibition 2026. This exhibition explores animals across contemporary artistic practices, from wildlife, domestic animals, birds, marine life, and insects to symbolic creatures, imagined species, expressive representations, abstraction, and conceptual interpretations of the animal world. Selected artists will present their work in a curated international online group exhibition hosted on the No. 35 Gallery website, supported by curatorial presentation and promotion through the gallery’s platforms. Artists are invited to submit works inspired by, responding to, or engaging with animals in their many forms, including wild animals, domestic pets, farm animals, birds, fish, marine creatures, reptiles, amphibians, insects, endangered species, mythical creatures, and imagined animal forms. Submissions may explore animal behaviour, movement, anatomy, habitats, human–animal relationships, ecological concerns, cultural symbolism, emotional connections, and the representation of animals in personal and collective narratives. The theme is intentionally broad and welcomes a wide range of approaches, including traditional animal portraiture, wildlife art, realism, expressionism, abstraction, symbolism, surrealism, experimental image-making, environmental perspectives, personal narratives, conceptual approaches, and contemporary interpretations of animal life. What Artworks and Subjects Are Included? Wildlife & Natural Habitats: Wild mammals, birds, reptiles, amphibians, insects, marine creatures, endangered species, animals in natural landscapes, wildlife behaviour, migration, habitats, ecosystems, and representations of biodiversity. Domestic Animals & Human–Animal Relationships: Pets, companion animals, farm animals, horses, cats, dogs, and other domesticated species, alongside explorations of companionship, emotional bonds, care, coexistence, and the relationships between humans and animals. Animal Portraiture & Representation: Individual animal portraits, anatomical studies, gestures, movement, expressive forms, detailed observations, animal characteristics, and traditional or experimental interpretations of animal identity and presence. Conceptual & Contemporary Approaches: Animal symbolism, mythology, imagined or hybrid creatures, abstract animal forms, distorted or fragmented representations, surreal compositions, ecological concerns, conservation, human impact on animal life, cultural narratives, and experimental interpretations of the relationship between humans, animals, and the natural world. We welcome submissions from emerging and established artists working across all visual art mediums, including painting, photography, sculpture, mixed media, digital art, textile art, printmaking, drawing, collage, installation documentation, and other contemporary practices. Through this exhibition, No. 35 Gallery aims to bring together diverse international perspectives on animal representation and create a thoughtfully curated platform for artists exploring the relationships between humans and other species, ecological awareness, cultural symbolism, emotional connections, and the evolving presence of animals in contemporary visual culture. Eligibility This open call is open to artists worldwide working in any visual art medium or discipline. Both emerging and established artists are welcome to apply. Applicants must be aged 18 or over. Fees Submission is free. Only selected artists will be invited to participate in the exhibition. A £15.50 participation fee per selected artwork applies only after selection. There is no fee to submit an application. What Selected Artists Receive Selected artists will receive: - Participation in a curated international online group exhibition hosted on the No. 35 Gallery website - A dedicated online exhibition presentation featuring selected artworks - Curatorial selection and structuring of the exhibition - Inclusion of the artist’s name, artwork details, and relevant professional links - Social media promotion through the gallery’s platforms - Continued visibility through the gallery’s online exhibition archive - Inclusion in a professionally curated, high-quality digital exhibition catalogue featuring the artwork image, artist biography, artist statement, artwork details, and sales information where applicable - A digital Certificate of Participation confirming inclusion in the exhibition Promotion & Reach The exhibition and selected artists will be promoted through No. 35 Gallery’s platforms: 23,000 Instagram followers and growing Approximately 25,000 monthly website visitors, with projected growth to 100,000 monthly visitors through ongoing promotion and audience development Additional promotion may include newsletters, social media features, artist highlights, and exhibition announcements across the gallery’s platforms. Curatorial Support - Selection and structuring of artworks - Design and development of the online exhibition layout - Consideration of visual and conceptual relationships between selected works - Guidance on artwork presentation where required - Development of a cohesive and professionally presented exhibition experience Exhibition Details The exhibition will be presented online through the No. 35 Gallery website. Selected works will be curated into a dedicated digital exhibition accessible to an international audience. Following the exhibition period, the exhibition will remain archived on the gallery website for one year, allowing continued visibility for participating artists and their work. Sales & Commission Artists may choose to make their artworks available for sale through the exhibition. No. 35 Gallery takes a 30% commission on any sales made through the exhibition. About No. 35 Gallery No. 35 Gallery is an independent online contemporary art platform supporting emerging and established artists through curated exhibitions, solo presentations, artist interviews, and international open calls. The gallery provides artists with opportunities for visibility, professional presentation, and connection with international audiences. Founded in 2025 by Anisa M. Nia. Based in London, UK. How to Apply and important information - Applications can be submitted through the application form on CuratorSpace. - Artists may submit one artwork per application. - Artists wishing to submit additional artworks must complete a separate application form for each additional artwork. - Please ensure that all submitted images are clear, high-quality, and accurately represent the artwork. - Submission is free. - There is no application fee. - A non-refundable participation fee of £15.50 GBP per selected artwork applies only to artists whose work has been selected for the exhibition. - Artists who are not selected will not be charged any fee. - For questions regarding the opportunity or participation process, please contact the curator. - For technical questions regarding the application platform, please contact CuratorSpace support. Both emerging and established artists are welcome to apply. Applicants must be aged 18 or over. Artists wishing to submit additional artworks must complete a separate application form for each additional artwork. Instagram: 24,000 followers and growing Website: approximately 25,000 monthly visitors, with projected growth to 100,000 monthly visitors through ongoing promotion and audience development. Additional promotion may include newsletters, social media features, artist highlights, and exhibition announcements across the gallery’s platforms. Relevance to the Theme — How effectively the work engages with abstraction, whether through form, colour, material, gesture, concept, process, or experimentation. Originality and Individual Voice — Evidence of a distinctive artistic perspective, approach, or visual language. Conceptual and Visual Strength — The ability of the work to communicate a compelling visual, emotional, material, or conceptual experience. Curatorial Compatibility — How the work contributes to the overall dialogue, diversity, balance, and cohesion of the exhibition. Quality of Presentation — The clarity and professional quality of the submitted artwork image and supporting information. You must have an account to make a submission using CuratorSpace. It's free and only takes a few moments. Once registered you'll be able to keep track of all of your submissions and get updates on upcoming opportunities. Already have an account? You'll need to log in to make a submission to this opportunity. You must have an account to send a message to the curator of this opportunity. Registering only takes a few moments. Once registered you'll be able to keep track of all of your submissions and get updates on upcoming opportunities. Already have an account? You must log in to send this curator a message. Get the latest CuratorSpace news, updates about new opportunities, upcoming deadlines, and art-related promotions. DREDGE - a collective exhibition at The Gate Art Space, Gloucester Samson Arts Gloucester is... Red, Green and Gold Fourth Wave present Red, Green and Gold, an alternative festive exhibition showcasing affordable... The FLUX Review Edition 15 International Open Call for Artists | The FLUX Review Edition 15

Danstheater AYA

Audition Notice Danstheater AYA Oct 16, 2026 | Auditions Danstheater AYA are looking for strong female dancers/performers who can convincingly express... Danstheater AYA are looking for strong female dancers/performers who can convincingly express themselves both physically and through acting. There are two different roles: for a new 12+ co-production and a reprise show (8+). When: Audition: Friday 27 November 2026 (by invitation only) Call back: Saturday 28 November 2026 Where: Studio of Danstheater AYA, Contactweg 42H, 1014 AN Amsterdam, the Netherlands Deadline for applications: Monday 9 November 2026 WHAT WE ARE LOOKING FOR - Strong, open minded dancers and performers; people from diverse backgrounds are welcome. - Dancers who connect with the young audiences we perform for. - For the 12+ show it is important that you speak Dutch and are good at text and acting. - Professional female dancers, or dance interns from a Dutch MBO or HBO academy/school. Availability For the 12+ show: mid May to June 2027 + mid August 2027 to the start of January 2028. For the 8+ show: January to April 2028. How to apply: You can register for the audition until Monday 9 November 2026 via: [email protected] Please note that registrations after November 9 will not be processed. Send us your CV with photo (in PDF and max. 3 pag). And add a video link of max. 2 minutes of a solo / improvisation: please don’t send us wetransfer files, but send us a private link to YouTube or Vimeo. Note: The audition is basically for dancers who live in the Netherlands. International dancers (Europe) are responsible for their own accommodation during the audition, rehearsal, and performance period, as well as any other travel and living expenses to/in the Netherlands. Contact details: If you have any more questions, please email them to [email protected] For further information, please visit: https://aya.nl/nieuws/auditie-vrouwelijke-dansers—audition-female-dancers For more dance AUDITIONS, visit https://dancingopportunities.com/category/auditions/

Upė Foundation

Upė Foundation Curatorial Fellowship 2027–2028 Fellowship just added Updated: 17 September 2026 Fellowship just added Upė Foundation Curatorial Fellowship 2027–2028 Updated: 17 September 2026 A 12–18 month, full-time paid fellowship at Gasworks offering an early-career curator professional development through exhibitions, residencies, public programmes and commissions, with a particular focus on artists and perspectives connected to the Baltic region. Who can apply: Early-career curators with a connection to the Baltic region, including Lithuania, Latvia and Estonia and their diasporas, who are interested in developing their curatorial practice within an international contemporary arts organisation. What you get: A full-time paid position within Gasworks’ curatorial team, structured professional development, experience across artistic programmes, international networking, and opportunities for research, travel and engagement with Upė Foundation’s wider fellowship programme. Deadline 09 November 2026

Riverside

Anything but...Plastic November 9, 2026 8 days left Featured Plastic. noun Plas-tic; ‘pla-stik 1 : a plastic substancespecifically: any of numerous organic, synthetic or processed materials that are mostly thermoplastic or thermosetting polymers of high molecular... Plastic. noun  Plas-tic; ‘pla-stik Plas-tic; ‘pla-stik 1 : a plastic substance specifically: any of numerous organic, synthetic or processed materials that are mostly thermoplastic or thermosetting polymers of high molecular weight and that can be made into objects, films, or filaments. You know it, you can’t get away from it, but for this year’s Anything But… exhibition, we’re saying no to plastic! Acrylic paint? Get outta here! Try some homemade egg tempera! Nylon thread? No way! We suggest ethically raising and shearing a herd of sheep and spinning your own wool.*  Modge Podge? Nahhhhh, you gotta get into wheatpaste.  Riverside wants YOU to show us how you art with materials that are free of thermosetting polymers of high molecular weight that can be made into objects, films, or filaments. Are you up for the challenge?! * If you can’t grow your own wool, purchased wool is acceptable. (You don’t need to make your materials; you can acquire them however you want, so long as they remain plastic-free.) * If you can’t grow your own wool, purchased wool is acceptable. (You don’t need to make your materials; you can acquire them however you want, so long as they remain plastic-free.)

Byrdcliffe

Summer 2027 Byrdcliffe Historic Cottage Residency Deadline: 09 Nov 2026 Country: United States Byrdcliffe’s Historic Cottage Residency invites artists across disciplines to join a long-standing tradition of artistic community on our campus this coming Summer. Nestled at the foothills of the Catskill Mountains, the program offers rustic, single and double occupancy artist cottages originally built at the dawn of the 20th century. Artists are welcome to participate in all campus events and programming held during the Summer Residency Sessions. Duration of residency 5 month Historic Cottage Residency – May 3rd – September 28th 3 Month Historic Cottage Residencies – May 3rd – July 21st – July 29th – September 28th Accommodation Artists stay in one of seventeen historic artist cottages built at the dawn of the 20th century, (when the Byrdcliffe grounds were a Utopian Artist Colony). Each cottage is unique, sparsely furnished, and rustic. Artists are exposed to their natural surroundings, and should expect to encounter the local flora and fauna during their stay. Disciplines, work equipment and assistance Artists of all disciplines are welcome to apply. Certain cottages are better equipped for specific mediums (please visit our website for more information). Artists are required to bring all tools, setup, materials, and mediums required of their practice with them. Artists are required to have cars or other source of transportation for the duration of their residency (for grocery and laundry purposes). Historic Cottages come furnished and artists are responsible for cooking their own meals. All Historic Cottage Resident Artists are required to set up their own utilities (Propane, Electric, Wifi) for the duration of their residency period - information on how to do so is included in the accepted artist's Residency Agreement.Studio / Workspace Certain cottages are equipped for specific art practices. Cottages are described either as ideal for "contained mediums" (writing, music, digital arts/ animation, small scale painting, textile, etc) or ideal for a "variety of mediums" (oil painting, sculpture, etc). We are unable to provide placements for encaustic painting or woodworking + metalworking requiring large machinery. Cottages do not have slop sinks. They are either equipped with a living/ work space (with no wallspace), or a living/workspace with wall space and an occasional additional studio room. Please visit our website to learn more about specific historic cottages.Fees and support All Historic Cottages are priced differently. Smaller cottages are priced around $4,500 for the full 5 month Residency duration. Our largest, co-applicant cottage is priced at $13,000. Please visit our website for specific cottage fees. All Historic Cottage Artists are also required to set up and pay for their own utilities while in residence (Propane, Electric, Wifi). Utilities fluctuate depending on personal usage. Information on set up and relative utility companies can be found in the accepted artist’s Residency Agreement. Limited merit and need-based fellowships and Grants are assigned to select artists each year. Artists in need of financial assistance are requested to fill out the free Supplemental Grant Application linked to our Submittable + Website. Expectations towards the artist No expectations are held towards the artist. Cottage Artists are welcome to join all Summer Programming offered on campus, including but not limited to: – Open Studio Events (4 total) – Art Practice shares – Historic Art Colony tours – Field Trips – Studio Visits – Group Hikes/ Swims – Potlucks/ other informal group activities Artist are encouraged to socialize or remain focused on a body of work (or both!) Additionally, all artists are welcome to exhibit work in the AiR show at Byrdcliffe’s Kleinert James gallery the year following their Residency. Application information Artists are asked to send in their application with all required materials by November 9th, 2027 at 11:59pm. Applicants looking for a priority review are requested to submit their application earlier, by November 2nd, 2027. REQUIRED UPLOADS : CV or creative resume (.doc, .docx, .pdf) work samples* OPTIONAL UPLOAD: If you have not yet had a Byrdcliffe residency, a letter of recommendation from a trusted mentor, peer, or arts administrator is strongly suggested, but not required. FILE NAMING: last name_first name_file name ~~~~~~ *WORK SAMPLE SPECIFICATIONS: WRITING: fiction, nonfiction, academic, prose, poetry: up to 15 pages. (pdf, doc, or docx) WRITING: screenplay, stage play, graphic novel, or treatment: up to 20 pages. (pdf, doc, or docx) MUSIC, VIDEO, & FILM: recordings up to 15 minutes running time: up to 20MB. (.m4a, .mp4, .avi, .mov, or .m4v). For time-based work – if preferred you can include a document with audio or video links (15 min max). VISUAL ARTS & CRAFTS: painting, sculpture, ceramics, woodworking, photography: up to 15 images of works. (.jpg or tiff)

The Black & White Gallery

OPEN CALL for Photography & Sculpture: The Black & White Gallery at Red Dot Miami 2026 & Artsy Exhibition Opportunity | Promoted just added Updated: 21 October 2026 Exhibition Opportunity | Promoted just added OPEN CALL for Photography & Sculpture: The Black & White Gallery at Red Dot Miami 2026 & Artsy Updated: 21 October 2026 The Black & White Gallery invites entries for our international juried contemporary artist search for Red Dot Miami 2026 during Miami Art Week. We curate a premium pavilion for fine art black and white photography and contemporary sculpture, offering physical exhibition spots and ongoing representation. Who can apply: International contemporary visual artists, photographers, and sculptors at any career stage with no geographical restrictions. What you get: Winners receive physical exhibition space at Red Dot Miami during Miami Art Week with curatorial management, plus official commercial gallery representation and Artsy Partner platform profiles. Entry Fee: $45.00 - $55.00 Deadline 10 November 2026

GlogauAIR

OPEN CALL・On-line Residency (January – March 2027) Deadline: 10 Nov 2026 Country: Global GlogauAIR is an international artists’ residency based in Berlin (Germany), which has been providing a space for artistic coexistence since 2006. This virtual format has operated alongside the On-site Residency in Berlin since 2020. The online model remains available for artists from all disciplines, given that many of them are unable to travel to Berlin for various reasons; however, this enables them to develop their artistic practice, research and communication through weekly one-to-one curatorial tutorials, regular group meetings, occasional professional workshops and exchanges with art professionals, such as curators and galleries, based in Berlin. All of this is organised in accordance with each artist’s availability and time zone. The program includes: CURATORIAL SUPPORT: Individual, weekly advice from an international curator, who provides guidance and support through in-person meetings, video calls or telephone calls, broadening the creative experience and opening up new professional horizons in the art field. GROUP MEETINGS Weekly group meetings with your residency group and curator provide opportunities for continuous feedback and discussion. PROGRAM EVENTS: A range of workshops are organised on important topics for professional artists, such as ‘arts marketing tools’ and ‘how to create your own portfolio and CV’. EXTERNAL CURATOR: A professional from Berlin (a curator, gallery representative or cultural manager) is invited via videoconference to hold a one-to-one meeting with each artist to evaluate their work, offering constructive critical feedback that will help the artist to view their work from a different perspective. CATALOGUE: At the end of the Program, GlogauAIR prints a collective catalogue featuring the work of all participants; this publication will also be available on our website. Every artist is assigned a page to present their artist statement text and an image of their artwork. Online artists will receive three printed copies by post. SOCIAL MEDIA AND ART PLATFORMS: During the Program, GlogauAIR runs an ongoing digital campaign through the most popular social media and art platforms, showcasing the artists and promoting their work, both individually and as a group. GlogauAIR’s presence on Instagram is particularly significant, with over 20,000 followers; through the ‘Instagram takeover’, followers can take a look at the artistic practice and creative process of GlogauAIR’s artists. [VIRTUAL] OPEN STUDIOS EXHIBITION: An individually customized online presentation of each and every one of the artistic projects completed during the Program reinterpreted virtually. The event provides global access to our Residence Program and offers artists the opportunity to share their work with their own network of contacts, regardless of their location. MEMBERSHIP OF THE GLOGAUAIR COMMUNITY: All participants will be added to ‘GlogauAIR Community’ web archive , where everyone can view the artists’ profiles with documentation of their work. Artists can update their profiles and share them free of charge, as if it were their own website. GlogauAIR also keeps the entire community informed about opportunities such as grants, awards and funding, as well as announcing important developments in the artists’ careers, such as publicizing their upcoming exhibitions. Duration of residency 3 months Accommodation This is a flexible online program, which means you can join from your own home or studio wherever you are located in the world. Disciplines, work equipment and assistance GlogauAIR is a space for all types of artists. We welcome applications from all around the world and various backgrounds and artistic disciplines. The applications are reviewed by GlogauAIR’s team which is comprised of local and international art professionals.Studio / Workspace This is an online program in which the tutoring curators are flexible to suit the artists’ needs and can adapt to the time zones of different countries, allowing participants to take part from home, their studio, workshop, etc., regardless of where they are.Fees and support The price is 300 euros per month for a total of 3 months (900 euros in total). Participating artists are encouraged to apply for grants to support their participation. We can provide a list of available scholarships and institutional funding, with successful grants received by previous GlogauAIR artists highlighted. Expectations towards the artist Artists should come prepared to work on a specific project and receive support towards presenting new work in the form of virtual open studios at the end of the online residency program. Application information Applications are evaluated by a jury of local and international art professionals. The selection will be determined based on artistic quality, originality and the proposed residency project.

Point Pleasant Publishing

Experimental Visual Art for Hardcover Book Editions & Online (Art Reviews) November 10, 2026 3 days left Featured Point Pleasant Publishing was founded in 2014 in Jersey City, New Jersey (currently based in the New Jersey Shore as well as beyond) and is an international contemporary arts publisher specializing in... Point Pleasant Publishing was founded in 2014 in Jersey City, New Jersey (currently based in the New Jersey Shore as well as beyond) and is an international contemporary arts publisher specializing in writing critical essays. Selected artists are featured with detailed curatorial review essays in the catalogue. Each featured artist has a generous six-page spread dedicated to them. This extensive linen wrap hardcover art book also includes Point Pleasant Journal and Shoreline Voice publications in addition to the catalogue articles and artist features. The writing by Point Pleasant Publishing is 100% human-authored, absolutely no artificial intelligence used. Essays are available on the Point Pleasant website and on Substack. The Artist Feature Catalogue is internationally registered with both an ISBN and ISSN (US Library of Congress). Additionally, published artists will have one work of art on permanent display within our online gallery on Saatchi Art. Eligibility Criteria: Point Pleasant Publishing accepts alternative and experimental forms of visual art including photography, performance, moving-image (video / film), installation, fiber / textiles, assemblage, collage, jewelry, light design, printmaking, fashion / costume design, text-based fragments, and analogue digital (no AI). Artists are selected based on a variety of factors including originality, conceptual impact, overall cohesiveness of portfolio, and aesthetic qualities of the art. We especially encourage alternative / experimental and underrepresented artists to apply. No application fee. Modest selection requirements. Read more details and Apply at https://www.pointpleasantpublishing.net/info-callforartists Selected artists are featured with detailed curatorial review essays in the catalogue. Each featured artist has a generous six-page spread dedicated to them. This extensive linen wrap hardcover art book also includes Point Pleasant Journal and Shoreline Voice publications in addition to the catalogue articles and artist features. The writing by Point Pleasant Publishing is 100% human-authored, absolutely no artificial intelligence used. Essays are available on the Point Pleasant website and on Substack. The Artist Feature Catalogue is internationally registered with both an ISBN and ISSN (US Library of Congress). Additionally, published artists will have one work of art on permanent display within our online gallery on Saatchi Art. Eligibility Criteria: Point Pleasant Publishing accepts alternative and experimental forms of visual art including photography, performance, moving-image (video / film), installation, fiber / textiles, assemblage, collage, jewelry, light design, printmaking, fashion / costume design, text-based fragments, and analogue digital (no AI). Artists are selected based on a variety of factors including originality, conceptual impact, overall cohesiveness of portfolio, and aesthetic qualities of the art. We especially encourage alternative / experimental and underrepresented artists to apply. No application fee. Modest selection requirements. Read more details and Apply at https://www.pointpleasantpublishing.net/info-callforartists

Municipality of Kristiansand, Agder Kunstsenter

MYREN GÅRD, Kristiansand, Norway, AIR, Open Call – 2027 Deadline: 10 Nov 2026 Country: Norway The Municipality of Kristiansand, together with Agder Kunstsenter, offers a residency for professional artists who wish to live and work in our city for a period of time. Our residency provides the perfect environment for an artist to devote dedicated time to evolve their practice with the added benefits of a studio space, new influences, contacts and in some cases, even funding (The Cultural Rucksack program). The residence is open to all national and international artists. We offer up to 3 months, rent free room in a shared apartment located at the historic Myren Gård, which today functions as a park, hosts various events, and is home to a community of artististic printmakers called Myren Grafiske Fellesverksted. The residency hosts two artists at a time. The two artists will have their own private bedroom, but share common living spaces and office/studio space. There are no specific expectations for the residents, except that the artist must live and work on site during the period. Every resident is encouraged to give a presentation of the work they have completed during their stay, for example through an open studio or an Artist Talk. The selected artist must be prepared to have some level of self- reliance, however, we are doing our best to build contacts and network through our dedicated local hosts. Artists in residence are invited to exhibition openings, lectures, seminars and other cultural events, creating space for dialogue and shared experiences. Our city is also home to several art galleries, museums, art festivals, and creative studios. Duration of residency From 1 to 3 months. Accommodation – The apartment is rent free. Expenses such as electricity, heating and internet is covered. – The kitchen is stocked with basic appliances and utensils. – Fireplace in the kitchen – Shared living room and basic studio space – Shared bathroom (Towels are provided) – Laundry facilities are available free of charge – Private bedroom – Bike at free disposal – Free access to wireless internet Expenses paid by the artist – Travel – Food – Supplies – Toiletries Disciplines, work equipment and assistance - We accept artist who work with a variety of visual art techniques and mediums. - Artists who work professionally with printmaking techniques may be eligible to use the printmakers workshop free of charge. (Sufficient experience with the necessary equipment is required). - Dedicated local hosts who help you navigate the local art community and build connectionsStudio / Workspace The studio at the apartment is shared and has basic facilities. We recommend that the artist bring what they need. - We also offer a basic larger studio space in the city upon request.Fees and support Kristiansand municipality offers one residency period a year connected to funding through the Cultural Rucksack Program. If you have a proposal suited for this grant, it can be added to your application. Each applicant is responsible for their own funding to cover further expenses. Expenses such as living costs, travel, materials, insurance and transport must be covered by the artist themselves. We encourage all applicants to apply for funding in their home countries. Expectations towards the artist We encourage Artists to hold Artist-talks and host studio visits, but we respect that not all artists will want to host studio visits and/or show what they have produced, therefore this is handled on an individual basis. If you have specific requests please feel free to include it in your project proposal. Application information More information and application process in the following link: https://agderkunst.no/air/about/

SoyuzRocket (Adam Hanate)

CALL FOR ENTRIES: HBN Text’s 1st Birthday (17 November 2026) Calls For Entries In November 2026, the exclusively-online service HBN will celebrate its first anniversary with a mini-festival of teletext art. Community member SoyuzRocket AKA Adam Hanate... Dan Farrimond 8 hours ago In November 2026, the exclusively-online service HBN will celebrate its first anniversary with a mini-festival of teletext art. Community member SoyuzRocket AKA Adam Hanate is hosting a birthday celebration, and invites your teletext artwork to be featured. HBN Teksti-TV aims to recreate the experience of ’80s/’90s Finnish teletext, taking inspiration from Yle Text and other domestic services. Like the NMS Ceefax recreation project, it incorporates Python scripts that fetch RSS feeds, and runs on a teletext in-vision decoder from a Raspberry Pi. The service also takes inspiration from Teledata, which ran on South Africa’s SABC from 1985 until some time after 2014. HBN features advertisements in the same graphical style, which you can see on the in-vision YouTube broadcast. Your Guidelines TL;DR – send Adam TTI files or teletext web editor links to your art 1. Your entry can be anything related to HBN’s 1 year anniversary celebrations. We will also accept general teletext artwork. Prompts: Helsinki, retro, 1 year, cake, TV, uutisikkuna, HBN, Finland 2. We will accept these formats: 3. You can also enter as many artworks as you like, but bear in mind that they are shown at HBN’s discretion. 4. Be aware that when pages are broadcast on teletext services, the page header (row 0) and fastext labels (row 24) are overwritten, so try not to use them in your art. Here‘s a diagram of where you can find these. 5. Level 1/1.5 Teletext only for this project – no Level 2.5 (the one with the extra colours and shapes), however you can use black as a foreground colour (graphics or text) if you like. 6. You retain copyright of your work, but give permission for it to be shown on the teletext service(s) listed above (HBN Teksti-TV). If you have a question about anything art teletext-related, I’ll be happy to help. The “chatline” is available at hello [at] teletextart *dot* co _dot_ uk For questions about the event itself, you can also email Adam at [email protected] Deadline: 10 November, 23:59 Finnish time Send your entries to: [email protected] Links Resources Carlos has created this handy video to show you how teletext art is made. Further links - Past group exhibitions – previous events - Make teletext art – editors and resources - Teletext editor links – preset teletext templates - Teletext editing help – documentation

Circular ArtSpace

Open Call for Artists - 32nd Community Art Exhibition Report this? Deadline: 10/11/2026 City: Bristol | Region: Somerset | Country: United Kingdom | Circular ArtSpace Exhibit your artwork at Circular ArtSpace – East Bristol's vibrant gallery supporting emerging and under-represented artists More details Open Call for Artists - 32nd Community Art Exhibition Deadline: 10/11/2026City: Bristol | Region: Somerset | Country: United Kingdom | Circular ArtSpace Exhibit your artwork at Circular ArtSpace – East Bristol's vibrant gallery supporting emerging and under-represented artists Are you an artist eager to exhibit your work? Applications are now open for our 32nd Community Art Exhibition, 26 November - 19 December 2026, at Circular ArtSpace Gallery – East Bristol’s first permanent art gallery, proudly housed in a converted double-decker bus! This will be our 32nd group exhibition, forming part of a wider programme of 45 curated shows, including solo exhibitions and members’ collectives. This exhibition and its opening day will mark three years since we opened the gallery. The Meet the Artists event on 26 November is part of a series of events in Fishponds from 25 to 29 November, to mark and celebrate the start of our fourth year of art projects. More details will follow. We welcome all mediums: paintings, photography, sculptures, installations, illustrations, digital art, ceramics, videos and more. Submission is FREE Each selected artist exhibits one work only: up to 110Wx110Hcm for paintings, illustrations, drawings, photography and videos; up to 35Wx80Hx35Dcm for sculptures, installations and ceramics. - You may submit images of multiple works, but only one will be selected - 2D works must be framed and corded - We only accept original artworks (handmade prints, photography, and video are exceptions) - We do not accept AI generated work in any form - Please include a few images of your work or a link to your website/social media - Fees if selected: £35 per artist - No commission on sales — artists keep 100%! Important dates: - Application deadline: 10 November 2026, 23:59 GMT - Artwork delivery: 25 November 2026, 12 pm–3 pm (alternatively, works may be posted to arrive by 24 November 2026) - Meet the Artists event: Thursday, 26 November 2026, 6–8 pm - Collection: Sunday, 20 December 2026, 12 pm–3 pm About Circular ArtSpace: Circular ArtSpace is a not-for-profit gallery based in Bristol, UK, established in March 2022, supporting creativity in East Bristol. We curate both physical and virtual exhibitions, as well as artist fairs, with a focus on supporting emerging and underrepresented artists. Our gallery space in Fishponds welcomes approximately 300 visitors each month. To date, we have provided exhibition opportunities to over 1000 artists in our physical gallery. Why exhibit with us? - We handle all curation, placement and installation of your piece - Showcase your work in a vibrant and supportive creative community - Reach new audiences in a busy, accessible East Bristol location - Benefit from promotional support via our website, mailing list, and social media channels - Featured listings on CuratorSpace, VASW (Visual Arts South West), Bristol Creatives, and Visit Bristol - Be part of a professionally curated group exhibition - Meet fellow artists and expand your creative network - Keep 100% of your sales — we take no commission! Excited? Apply now — and if you know an artist who might love this opportunity, please share! You must have an account to make a submission using CuratorSpace. It's free and only takes a few moments. Once registered you'll be able to keep track of all of your submissions and get updates on upcoming opportunities. Already have an account? You'll need to log in to make a submission to this opportunity. You must have an account to send a message to the curator of this opportunity. Registering only takes a few moments. Once registered you'll be able to keep track of all of your submissions and get updates on upcoming opportunities. Already have an account? You must log in to send this curator a message. Get the latest CuratorSpace news, updates about new opportunities, upcoming deadlines, and art-related promotions. DREDGE - a collective exhibition at The Gate Art Space, Gloucester Samson Arts Gloucester is... Red, Green and Gold Fourth Wave present Red, Green and Gold, an alternative festive exhibition showcasing affordable... The FLUX Review Edition 15 International Open Call for Artists | The FLUX Review Edition 15

Asian Cultural Council

Asian Cultural Council Fellowships and Grants 2027 Artist in Residence just added Updated: 01 October 2026 Artist in Residence just added Asian Cultural Council Fellowships and Grants 2027 Updated: 01 October 2026 ACC offers fellowships and grants supporting immersive cultural exchange between Asia and the United States and within Asia, enabling artists, scholars, arts professionals and organisations to undertake research, cultural immersion and cross-border exchange. Who can apply: Artists, scholars, arts professionals, graduate students and arts organisations meeting ACC’s eligibility requirements. Opportunities include the New York Fellowship, Individual Fellowship, Graduate Fellowship and Organization Grant. Applicants may apply to only one programme per cycle. What you get: Funding for immersive cultural exchange, including six-month New York fellowships, one-to-six-month individual fellowships, graduate study support and organisation grants. Supported activities must take place between 1 August 2027 and 31 December 2028. Deadline 10 November 2026

University of Applied Arts Vienna

TTT2027 Vienna – Call for Artwork Presentations Exhibition Opportunity just added Updated: 05 November 2026 Exhibition Opportunity just added TTT2027 Vienna – Call for Artwork Presentations Updated: 05 November 2026 14–17 September 2027 | University of Applied Arts Vienna, Austria Artists and artistic researchers are invited to present experimental works exploring care, interdependence and transformation. Themes include feminist, queer and trans care, bioart, artificial intelligence, ecological repair and more-than-human relations. Who can apply: All artistic media and approaches relevant to the conference themes are welcome. The call does not specify age, nationality, or residence restrictions. Selection is based on the proposed project and relevant experience, subject to available space, technical resources, safety requirements, and curatorial considerations. What you get: Selected artists will have the opportunity to present their work at TTT2027 Vienna, hosted by the University of Applied Arts Vienna (Angewandte), Austria, from 14–17 September 2027. Participants will benefit from international visibility, interdisciplinary exchange, and networking with artists, artistic researchers, scientists, curators, and practitioners working across art, science, and technology. Conference activities will be documented for archiving and dissemination purposes. Participants may also consider contributing to the conference proceedings. Participation is entirely free, with no registration or presentation fees. Lunch and coffee breaks may be provided when feasible. Travel and accommodation funding is not guaranteed, although organisers seek partnerships and initiatives to support participants. Deadline 11 November 2026

Mountain Artists Guild

The Mountain Artists Guild Fiber Arts Show - Special Exhibition by The Mountain Ar... November 11, 2026 10 days left A juried textile and fiber art exhibition at the Mountain Artists Guild Gallery in Prescott, Arizona, covering art quilts, wearable art and sculptural fiber work. Ribbons are awarded for Best of Show and... A juried textile and fiber art exhibition at the Mountain Artists Guild Gallery in Prescott, Arizona, covering art quilts, wearable art and sculptural fiber work. Ribbons are awarded for Best of Show and first through third place. About this opportunity Eligibility Info Textile art only, maximum 36 inches per side; in-person delivery required; fee covers up to three works

The Mountain Artists Guild

The Mountain Artists Guild Fiber Arts Show - Special Exhibition by The Mountain Artists Guild, Prescott, AZ Entry Deadline: Nov 11, 2026, 11:00:00 PM Eligibility: State Entry Fee: 15.00 Arizona Call for Art Colors, Patterns, and Texture A Juried Textile and Fiber Art Exhibition Special Exh… Open Art Call to all fiber Artists PLEASE NOTE: INTAKE DATE IS MONDAY, November 23, 2026 The entries will be juried by Mountain Artists Guild members. Ribbons will be provided for Best of Show, 1st, 2nd and 3rd place. Open to members of Mountain Artists Guild and non-members; Arizona artists in all media encouraged to apply; an online and in-gallery show. Please Note: All artwork must be delivered in person. If you have questions please contact Stefanie Culver at [email protected] Please review our Gallery Standards here: Gallery Standards The Mountain Artists Guild invites you to share your art quilts and textile art. Selected art will be exhibited at the Mountain Artists Guild Gallery (located at 228 N. Alarcon Street, Prescott), November 23rd through December 30th, 2026. Theme: Fiber Arts We are looking for pieces that show the richness, complexity, beauty, color, pattern and texture of Fiber Art. One color, or multiple colors, simple or complex patterns, wall art or sculptural pieces. - Eligibility:- This Exhibition is open to Mountain Artists Guild Members and Non-Members. - Textile art only, including wearable art, 2D, and 3D. - Art can be for sale (encouraged) or Not For Sale. - Maximum size 36” per side - No full-size quilts. - Show Dates: November 23rd through December 30th, 2026. - Gallery Intake is on November 23rd, pick up is on December 30th. No Shipping permitted. - Entry Fee: $15 for up to three submissions. - The Mountain Artists Guild will retain 25% of the purchased price as a commission fee for Mountain Artists Guild Members - The Mountain Artists Guild will retain 40% of the purchased price as a commission fee for non-Mountain Artists Guild Members- To become a Mountain Artists Guild Member, click here [add website URL here] - Hanging Requirements: - Hanging Sleeve (Rod Pocket) is preferred - Other non-wall-damaging (other than a nail) methods are acceptable; however, the artists must provide the hardware to hang the piece if anything other than a nail is required to hang it - No saw tooth hangers - Submission Instructions: - Art Call Instructions below - Submitters will be notified no later than November 16, 2026, of their acceptance into the show Online Application Deadline: Start anytime and up until 9PM on NOVEMBER 11, 2026 Show Dates: November 25 through December 30, 2026 Gallery intake: November 23, 2026 Artwork must be delivered in person between 1 am and 12 pm, Monday, November 23, 2026 - no shipping permitted. For Members only, if you cannot deliver in person at intake, please make arrangements with our Gallery Manager. Entry Fees - up to 3 submissions per artist - Pay by credit card only $15.00 for up to 3 submissions All submissions will be juried and either accepted or not accepted for the Gallery Show, with final judging. Participation Rules - Artists Agree to Abide by our Gallery Standards 1. Submissions must be entered online using the ArtCall.org website. 2. Artwork, in whole or in part, must be created solely by the artist. 3. Artwork, in whole or in part, must not infringe on any copyright. 4. Paintings or photographs of nudes or work inappropriate for family viewing will not be accepted.  5. Price your work to reflect the Guild's commission: Members- 25%; Non-members - 40% - All Artwork must be for sale. 7. Maximum size 36” per side. No full-size quilts. 9. Once the awards have been announced, accepted entries will be on display in the Web Gallery for 3 months. Artists who enter this show are responsible for handling (packaging) and shipping of items sold online. Artists in the Web Gallery show must inform the Guild if they sell their work so that the Web Gallery is kept up-to-date. Submission Instructions  1. Images of artwork should have no background/frame visible; artwork under glass should show no reflections, and be in the appropriate orientation. 2. Images must represent the work accurately.    3. You may submit more than one image of paintings, photographs, 3-dimensional objects and jewelry to show different sides of the item or close-up detail. DO NOT SUBMIT different artwork in individual entries only photos for one piece. 4. If photographing 3-dimensional objects or jewelry, place them on either a white or black non-textured background.                                                                               5. Images should be in JPG, PNG, or PDF file format. 6. The maximum file size for uploading is 4MB. If your image file size is greater than this, use a photo or image editing program to reduce the size of the image before uploading. 7. Mountain Artists Guild reserves the right to reject artwork that is not photographed correctly and reflects poorly on the artist and the Guild.   Register Online at ArtCall.org - Need Help - see our Art Call Step-by-Step instructions 1. If you do not have an account on ArtCall.org, register and apply online:  Ignore the request to create a portfolio website if that message appears. Simply click on the ‘x’ in the top right of that screen to close it or click on ‘No thanks’. 2. If you already have an account, sign in with your username and password. If you forgot your password, request a new one. 3. Provide the details requested to set up an account.  4. Click on ‘Add new submission’ to pay by credit card. Decide on how many submissions you will enter before you pay. NOTE: No refunds will be made if you pay for more submissions than you use. 5. NOTE: If you want to add additional submissions after you paid for a specific number: - Enter your account again and click on ‘Add new submission’. - Make sure you select how many new submissions you want to pay for in the ‘Pay for how many’ box. - Click on Member or Non-member. You will not be charged the original entry fee again even though it looks like you will be. The system automatically calculates what you owe for the additional submissions. - Select the credit/debit card you wish to use and click on ‘Submit payment charge’. NOTE: No refunds will be made if you pay for more submissions than you use. Awards Ceremony & Reception November 27, 2026, 5 pm - 7:30 pm Location of Show and Other Information Online for 3 months after awards are announced Mountain Artists Guild Gallery – at 228 N. Alarcon St., Prescott, AZ 86301 Terms and Conditions I have read and agree to the Terms and Conditions on the ArtCall.org website for this competition. See link at bottom of this page. Questions? If you have questions about this competition, contact: [email protected] or call 928-445-2510. If you need help with submitting or photographing your work, contact: [email protected] or 928-445-2510.

CISTA ARTS

The Unfinished Report this? Deadline: 11/11/2026 Region: London | Country: United Kingdom | Cista Arts CISTA ARTS invites artists worldwide to submit work for The Unfinished, an international online group exhibition taking place in December 2026. Exploring what remains unresolved, what continues to change, and what is yet to come, the exhibition welcomes diverse artistic interpretations of incompleteness, uncertainty, transformation, growth and possibility. Artists working across all contemporary art forms are encouraged to apply. Submitted artworks do not need to be physically unfinished or newly created. M The Unfinished Deadline: 11/11/2026Region: London | Country: United Kingdom | Cista Arts CISTA ARTS invites artists worldwide to submit work for The Unfinished, an international online group exhibition taking place in December 2026. Exploring what remains unresolved, what continues to change, and what is yet to come, the exhibition welcomes diverse artistic interpretations of incompleteness, uncertainty, transformation, growth and possibility. Artists working across all contemporary art forms are encouraged to apply. Submitted artworks do not need to be physically unfinished or newly created. The Unfinished Exhibition Theme: What remains unfinished, what is still changing, and what is yet to come? Not everything reaches a clear conclusion. Some stories remain untold, some questions unanswered, and some experiences continue to shape us long after they have passed. In art, as in life, the unfinished can be a source of uncertainty, possibility, imagination and change. The Unfinished invites artists to explore the many meanings of incompleteness, from personal experiences and unresolved emotions to evolving identities, changing landscapes, unfinished histories and imagined futures. The exhibition welcomes diverse interpretations of the theme, including works that engage with transformation, uncertainty, interruption, imperfection, growth, experimentation, absence, anticipation and the spaces between beginnings and endings. An artwork does not need to be physically unfinished to participate. We are interested in how artists interpret the idea through their subjects, materials, processes and individual perspectives. CISTA ARTS welcomes submissions from artists worldwide, working across painting, photography, sculpture, drawing, mixed media, digital art, video, installation and other contemporary artistic practices. Who can apply? The call is open to artists internationally and at all stages of their careers. We welcome submissions across a broad range of media, including: Painting, drawing, photography, sculpture, ceramics, textiles, printmaking, collage, installation, moving image, digital art, sound, performance, mixed media and interdisciplinary practices. Both existing and newly created works are welcome, provided they engage meaningfully with the exhibition theme. Dates: Submission Deadline: 11 November 2026 Exhibition Dates: 1- 29 December 2026 Submission Guidelines: We are keen to learn about you! Please submit the following: - Contact information (full name, email, mobile) - Details of the artworks (title, size, medium, year, price) - Artist statement (max 100 words on how your work relates to the theme) - Short biography (max 100 words, third-person) - Up to 4 sample images of your work Please note: Only two artworks per artist will be selected for exhibition. Selected Participants Will Receive: - Exhibition of your work on the CISTA ARTS online platform (1-29 December 2026) - Inclusion in a limited edition, professionally produced paperback catalogue (UK-based) + complimentary PDF copy - No commission taken on sales - Daily social media features in our Meet the Artist series - Exhibition placement on our homepage + archived access after close - Direct links to your website or social media in all features - Certificate of participation Participation Fee:  £30 for one accepted artwork | £50 for two accepted artworks Applying to this exhibition opportunity is free. Participation Fee Benefits: Selected artists will have their work exhibited online for the full month on our homepage, included in a professionally produced printed and digital exhibition catalogue, featured in daily social media promotion under our ‘Meet the Artist’ series, and receive a certificate of participation.  CISTA ARTS takes no commission on sales. Digital Exposure and Reach: - We currently have over 12.2K followers on Instagram, in addition to a Facebook audience and a mailing list of over 2K subscribers. - Our online exhibitions attract between 1,200–1,800 unique visitors, and our website receives more than 4,000 visits per month. - Each participating artist will be permanently featured on our Past Exhibitions page, with direct links to their own website or social media for continued exposure. Exhibition Access: The exhibition is fully accessible to the public via our official website, with no login or fee required. Exhibition History: Since our founding in 2018, CISTA ARTS has organised over 50 solo and group exhibitions, both online and in hybrid formats.  Our platform is designed to support emerging and mid-career artists across borders, particularly those facing visa and mobility restrictions. Artist Feedback: We have received consistently positive reviews from artists who have worked with us, with many praising our professionalism, communication, and the quality of our exhibitions.  These testimonials can be viewed on our Google Reviews page. About Us: Based in London, CISTA ARTS is an independent, artist-led curatorial platform dedicated to inclusive programming, cross-cultural dialogue, and supporting underrepresented voices in contemporary visual art. You must have an account to make a submission using CuratorSpace. It's free and only takes a few moments. Once registered you'll be able to keep track of all of your submissions and get updates on upcoming opportunities. Already have an account? You'll need to log in to make a submission to this opportunity. You must have an account to send a message to the curator of this opportunity. Registering only takes a few moments. Once registered you'll be able to keep track of all of your submissions and get updates on upcoming opportunities. Already have an account? You must log in to send this curator a message. Get the latest CuratorSpace news, updates about new opportunities, upcoming deadlines, and art-related promotions. DREDGE - a collective exhibition at The Gate Art Space, Gloucester Samson Arts Gloucester is... Red, Green and Gold Fourth Wave present Red, Green and Gold, an alternative festive exhibition showcasing affordable... The FLUX Review Edition 15 International Open Call for Artists | The FLUX Review Edition 15

Joya: arte + ecología / AiR

Joya: AiR / spring residencies 2027 Deadline: 12 Nov 2026 Country: Spain Joya: arte + ecología / AiR is an off-grid, climate-positive interdisciplinary residency (established in 2006) rooted at the intersection of art, ecology, and sustainable living practices. It is located in the heart of the Parque Natural Sierra María–Los Vélez, in the north of Almería province, Andalucía, Spain. Joya: AiR provides residents with abundant time and space to create, reflect, explore, and engage with their surroundings. Joya: AiR supports a wide range of disciplines including, but not limited to, visual art, writing, music, dance, curatorial practice, and film. Founded and curated by Simon and Donna Beckmann in 2006, the Joya: arte + ecología / AiR programme is grounded in the belief that dynamic and sustainable creative activity is essential to regenerating land that has been gradually abandoned over the past fifty years. Since its inception, Joya: AiR has welcomed over 3000 artists and creatives to develop and realise their projects in one of the most unique and beautiful regions of the country. This area is also one of the sunniest in Europe, receiving more than 3,000 hours of sunlight annually. Residents have access to individual studio spaces and 20 hectares of land. The residency includes accommodation (private room with attached bathroom), meals, and transportation to and from the nearest public transport system. Joya: AiR offers a supportive and developmental environment for resident artists, writers, and researchers through ongoing dialogue and, upon arrival, a keynote orientation presentation. The knowledge shared is intended to inform residents about the immediate region—its geography, climate (including climate challenges), history, and strategies for sustainable, climate-positive living. We advocate for the role of culture in rural contexts, offering examples of collaboration, progressive approaches to engaging with the natural environment, and ways to live creatively and synchronously with nature. Duration of residency The length of the residency would be 1 to 2 weeks (longer periods are available) NOTE* the experience of previous resident artists strongly indicates that a two week residency is much more preferable and productive than one. Accommodation Private bedroom with attached bathroom including all meals Disciplines, work equipment and assistance Interdisciplinary: Visual Art / Sculpture / Ceramics* / Dance / Theatre / Performing Arts / Music / Writing / Educational Programmes / New Media / Curatorial / Film Making *We have an abundance of clay in our location available for modelling / ceramics. We actively wish to encourage the building of temporary wood fired kilns (winter only) as a group / community action. We do not have specific pottery equipment.Studio / Workspace Private studioFees and support The Joya: AiR residency has a fee of €400 per week + tax (10%). This covers the cost of accommodation, studio space and all meals. It also includes collection from our nearest transport hub, Vélez Rubio. Expectations towards the artist Selected artists are invited to contribute to the Joya: artists listing and are asked to contribute a small text outlining the nature of their practice whilst in residency. This will be posted to the Joya: website along with a link to the artists website. (examples are to be found HERE) Selected artists are requested to make a presentation of their work to other artists in residence during their period at Joya: AiR. This is not obligatory but it does contribute to the overall experience of all artists in residence. Application information Website/URL with examples of recent work If you do not have a website, please email five images of recent work for visual artists or three writing samples for writers along with your application to [email protected]. We do not accept Facebook profiles in place of an artist website. We will consider an Instagram feed if accompanied by a c.v. Images should be no more than 500 pixels. Writing samples should be in PDF format.